SALÓN ACME X SALA GAM
CDMX,2024.
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Y si la casa era la institución
Presentación de libro + performance de Athenea Papacostas
enero 2024
Casa del Lago, UNAM
Invitación al encuentro alrededor del performance De sus casas de la artista Athenea Papacostas en conversación con Victoria Nuñez, cecilia miranda gómez y Natalia Millán.
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LA LUNA ES UNA PIEDRA ROTA
Solo show, Sala GAM 2023.
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JAI,TABAKALERA
San Sebastian, Donostia,2022.
“Vitrina”
Film still from Vitrina 4:47 min
“Magnoliatan”
Magnolia flowers and objects preserved with sea salt
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VERNACULAR INSTITUTE
2022
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Perfomance presentación de “CASA CUERPO LIBRO FROMA”
Vernacular Institute en colaboración con Erik Tlaseca y Jysus Ramirez
CDMX,2024.
Y si la casa era la institución
Presentación de libro + performance de Athenea Papacostas
enero 2024
Casa del Lago, UNAM
Invitación al encuentro alrededor del performance De sus casas de la artista Athenea Papacostas en conversación con Victoria Nuñez, cecilia miranda gómez y Natalia Millán.
︎︎
LA LUNA ES UNA PIEDRA ROTA
Solo show, Sala GAM 2023.
JAI,TABAKALERA
San Sebastian, Donostia,2022.
“Vitrina”
Film still from Vitrina 4:47 min
“Magnoliatan”
Magnolia flowers and objects preserved with sea salt
VERNACULAR INSTITUTE
2022
Perfomance presentación de “CASA CUERPO LIBRO FROMA”
Vernacular Institute en colaboración con Erik Tlaseca y Jysus Ramirez
Documenta XV,2022.
150 copias
2022
Obra Invisible /Enclavefeminista, Xalapa, Mx.2021
Las personas en casas de cristal no deberían arrojar piedras, Jim Ricks Projects 2021
CAJA MODULAR V & CAMOUFLAGE/ Intervention project in public space curated by artist Jim Ricks.
(1)Floripondios with aerosol painting, No Title (2)Cubical canvas made with linen, oil and aerosol painting in a acrylic box with wheels (3)Cube made with cardboard, glass, ironwork and paint in a public vitrine.
CONSTRURAMA
San Ildefonoso, CDMX,2021.
42 boxes the size of a letter sheet (8.5x11) made with transparent acrylic. Each box contains a material used for construction work representative of what I call “techno history”. A synthesis of Mexico City history based on the housing technological evolution, urban planning and architecture that also contains ecological,political, economic and cultural knowledge of the territory. I am interested in the possibility of manipulating the boxes as containers of history, using them as a pretext to develop the search for a non-linear self-knowledge, but rather an organic and manipulable one.Museo de San Ildelfonso, 2022
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