RECENT PROJECTS & EXHIBITIONS

PASEO x Islera, CDMX,2024. Exhibición individual retrospectiva

“¿Qué es hoy la ciudad para nosotros? Creo haber escrito algo como un último poema de amor a las ciudades, cuando es cada vez más difícil vivirlas como ciudades” – Italo Calvino

"La producción de Núñez Estrada cumple un doble objetivo. A partir del dibujo, la escultura y la instalación, escribe ciudades y espacios mediante la conjunción entre las sensaciones, el cuerpo, los deseos y los recuerdos. Asimismo, desde la sutileza y el ludismo, articula una potente crítica hacia ese espacio abstracto, que manipula a conveniencia del capitalismo, niega vivencias y memorias e impone la violencia como régimen."

SALÓN ACME X Sala GAM,CDMX,2024.

Y SI LA CASA ERA LA INSTITUCIÓN Presentación de libro + performance de Athenea Papacostas, Casa del Lago, UNAM, 2024.

Invitación al encuentro alrededor del performance De sus casas de la artista Athenea Papacostas en conversación con Victoria Nuñez, cecilia miranda gómez y Natalia Millán.

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LA LUNA ES UNA PIEDRA ROTA, Solo show, Sala GAM, 2023.

“Flor mueble o Floripondios” Sala GAM, 2023.

TABAKALERA, San Sebastian, Donostia,2022.

“Vitrina”

Film still from Vitrina 4:47 min

“Magnoliatan”

Magnolia flowers and other objects preserved with sea salt

VERNACULAR INSTITUTE, Performance presentación del libro CASA CUERPO LIBRO FORMA, 2022

Perfomance presentación de “CASA CUERPO LIBRO FROMA”
Vernacular Institute en colaboración con Erik Tlaseca y Jysus Ramirez

“CASA CUERPO LIBRO FORMA” Documenta XV,2022.

Diseño por Erik Tlaseca
150 copias
2022

Obra Invisible /Enclavefeminista, Xalapa, Mx.2021

Las personas en casas de cristal no deberían arrojar piedras, Jim Ricks Projects 2021

CAJA MODULAR V & CAMOUFLAGE/ Intervention project in public space curated by artist Jim Ricks.

(1)Floripondios with aerosol painting, No Title (2)Cubical canvas made with linen, oil and aerosol painting in a acrylic box with wheels (3)Cube made with cardboard, glass, ironwork and paint in a public vitrine.

CONSTRURAMA, San Ildefonoso, CDMX,2021.

42 boxes, each the size of a letter sheet (8.5x11), made of transparent acrylic. Each box contains a material used in construction, representative of what I call 'techno history.' It's a synthesis of Mexico City's history based on the evolution of housing technology, urban planning, and architecture, containing ecological, political, economic, and cultural knowledge of the territory. I'm interested in the possibility of manipulating these boxes as vessels of history, using them as a pretext to develop a non-linear self-knowledge, but rather an organic and manipulable one. Exhibition at Museo de San Ildefonso, 2022.

Bienal Tlatelolca, Central de maquetas, 2021.

The research proposal for the Tlatelolco Biennial and Central de Maquetas focuses on collecting objects from the Tlatelolco area in Mexico City to create a timeline that reflects the site’s history through its built landscape. Although these objects lack strict archaeological value, they are attributed symbolic significance as "relics." The process of discovery, cleaning, preservation, and archaeological classification is recreated, referencing the work of archaeologists who uncovered the pyramids in Tlatelolco in the 1940s. Ultimately, the objects are preserved and organized within a fictional timeline based on the phases of construction.